About Surdas
Surdas is one of the people who had great influence on the cultural heritage of India. He was a poet, a saint and a musician and played all the parts with the same finesse. Since there are no authentic records on the life of Surdas, his biography comes up as a combination of facts and fiction.
Early Life
There is a little disagreement regarding the exact birth date of Surdas, some scholars believe it to be 1478 AD, while others believe it to be 1479 AD. Same is the case of the year of his death, it is either considered to be 1581 AD or 1584 AD. As per the limited authentic life history of Surdas, it is said that he lived in Braj, near Mathura. Surdas was born blind and because of this, he was neglected by his family. As a result, he left his home at tender age of six.
Meeting Shri Vallabharacharya
In the eighteenth year of his life, Surdas went to Gau Ghat, a sacred bathing spot on the embankments of Yamuna River. It was here that he came across Shri Vallabharacharya, the great saint-savant. Vallabharacharya advised Surdas to sing Bhagvat Lila, the Creative Play of the Lord and introduced him to the secrets of contemplative devotion. From this time onwards, Surdas never looked back on the path of spirituality. Surdas spent the last years of his life in Braj, the place of his birth.
Literary Works of Surdas
The work of Surdas mainly consists of the following three compilations.
Sur-Saravali
Sur-Saravali, based on the festival of Holi, originally consisted of hundred verses. In this poem, he tried to create a theory of Genesis, with Lord Krishna as the Creator.
Sahitya-Lahiri
Sahitya-Lahiri is mainly associated with Bhakti (devotion) towards the Supreme Lord.
Sur-Sagar
Sur-Sagar is considered to be the magnum opus of Surdas. The poem has been woven around the life of Lord Krishna. It originally contained 100,000 poems or songs, out of which only 8000 have survived the travails of time.
Philosophy of Surdas
The Bhakti movement that was widely prevalent in India at the time of Surdas deeply affected him. He propagated the Shuddhadvaita school of Vaishnavism. It makes use of the spiritual metaphor of the Radha-Krishna Lila, derived from earlier saints.
Please take a listen to my audio:
Friday, October 10, 2008
Saturday, July 19, 2008
NAMDEV
By Sivananda
Introduction
Namdev of Maharashtra was a saint of mediaeval India. He was not a servant of Lord Krishna, but His companion. Namdev was an Amsa (part) of Lord Krishna.
Namdev was a contemporary of Jnanadev, the famous saint of Maharashtra, being his senior in age by about five years. He was born in 1269 A.D. He came of a family of tailors who were sincere devotees of Vittala of Pandharpur. The family members were observing the Wari of Pandharpur, i.e., going on pilgrimage twice a year on the first eleventh day of the Ashadh (June-July) and Kartik (October-November) months. The family originated from a village called Narsibamani on the bank of the river Krishna, near Karad, in district Satara. Being a great devotee of Vittala and wishing to improve his material prospects, Dama Setti, the father of Namdev, had moved to Pandharpur a year or two before his son’s birth.
Namdev, from his very childhood; was like Prahlad. At the age of two, when he began to talk, the first correct word he uttered was ‘Vittala’, and since then, he continued with the repetition of that sacred name incessantly, without any help or instruction from others. He found great pleasure when every day his mother Guna Bai took him to the temple of Vithoba for offering worship to the Deity. His next step was, when at the age of about seven, he prepared a pair of cymbals and spent his time in dancing and singing, doing Bhajan, to the neglect of everything—food, studies in school, rest, sleep, etc. His devotion to Vithoba was so innocent and sincere that he used to treat Him sometimes as his dearest brother or as his playmate.
One day, as Namdev’s mother was busy, she asked Namdev to take the plate of offerings to Vithoba. Namdev went to the temple, placed the plate of eatables before Vithoba and asked Him to accept the offering. However, when Namdev did not find any evidence of acceptance by Vithoba, he cried so bitterly that Vithoba actually assumed a human form and accepted the offerings gratefully. Namdev’s mother was surprised when her son came back in great joy with an empty plate and explained to her that Vithoba had accepted the offerings by actually consuming the eatables presented in the plate. So, the next day, she herself accompanied Namdev (but withodevotee.
Lord Vithoba—his only interest
In other respects, however, Namdev was the despair of his parents, and later, of his wife and other relatives. From the beginning he had no interest in worldly affairs; he neglected studies in school; he would not take interest in his father’s profession as a tailor, or in any other trade. His sole interest was to spend day and night in devotion to Vithoba. His parents were getting old; the family prosperity was waning. Therefore, their dearest wish was that Namdev, while devoting a reasonable spare time to his devotions, should help in maintaining the family in comfort. So, Namdev was sent to the bazaar one day to sell a few pieces of clothes. But Namdev was innocent of the tricks of the trade. To him, such things as prices, and money and its value, were unknown subjects. He went to the bazaar with the clothes, because his father forced him. He sat there on a stone doing Bhajan, entirely forgetting that he had gone there to sell the clothes. After a few hours the sun set and it was time for him to go to the temple for the evening devotional performance. Then only he remembered that he had not sold the clothes and that he would get a thrashing from his father. He was impatient to go to the temple. He therefore sold all the clothes to the very stone on which he was seated, i.e., he kept the clothes on the stone, appointed another stone as a guarantee that the first one would pay the money the next day, and went to the temple.
Namdev’s father was furious on hearing his son’s adventures and asked him to bring forth Dhondya (which means a stone and which is also used as a proper name among certain classes of people of Maharashtra) who had guaranteed the money. The next day Namdev went back to the bazaar, found that the clothes had vanished during the night and took the second stone (Dhondya) home, as it refused to pay the money, and locked it in a room. He then went to the temple and narrated all the events to Vithoba and explained his difficulties also. When Namdev’s father asked him to show him Dhondya who had guaranteed the money, Namdev replied that Dhondya had been kept in a closed room in the house and ran to the temple. When the father opened the room to demand the money, he found, to his surprise, a lump of gold. Great was the father’s joy; but Namdev was quite indifferent to it. He only praised God for saving him from a thrashing. Thus it went on.
His marriage
In the meantime, Namdev married Radha Bai. Radha Bai was a worldly-minded woman. In response to Namdev’s invitation, Vittal attended the naming ceremony of Namdev’s child in the guise of a human being, named the child ‘Narayana’ and gave good gifts on the occasion.
There was extreme poverty in the house of Namdev. Namdev neglected his worldly duties. Namdev’s mother and wife abused Lord Krishna. Under the guise of Dharma Setti of Vaikunthapuram and the pretence of past friendship with Namdev, the Lord visited Namdev’s house, gave magnificent gifts to Radha Bai and disappeared.
A Bhakta, named Parisha Bhagavat, propitiated Rukmini and got the philosopher’s stone which could convert iron into gold. Parisha’s wife gave the stone to her friend Radha Bai one day. Radha Bai showed the stone to her husband and said that his Bhakti was of no use and was inferior to the Bhakti of Parisha Bhagavat. Namdev threw the stone into the river. Next day Parisha came to know of everything and took Namdev to task. Namdev showed Parisha the place where he had dropped the stone. Parisha searched for the stone and found, not a single stone, but a whole lot. Parisha was struck with wonder. He admired the spirit of renunciation and the spiritual powers of Namdev.
Namdev felt it increasingly difficult to take interest in household affairs and in his parents, wife and children; and no amount of persuasion from all those people or his friends was successful in bringing him back to the worldly life. To him there was only one interest and that was Lord Vithoba. He used to spend hour after hour sitting before Vithoba, talking to Him, discussing spiritual matters with Him and doing Bhajan. To Namdev, Vithoba was the beginning and the end of everything.
Meeting with Jnanadev.
When Namdev was about twenty years of age, he met the great saint Jnanadev at Pandharpur. Jnanadev was naturally attracted to Namdev as a great devotee of Vithoba. That he might benefit from the company of Namdev, he persuaded Namdev to go with him to all the holy places on pilgrimage. Namdev did not want to go, as that would mean separation from Lord Vithoba of Pandharpur. However, wiser counsel prevailed and Namdev was induced to go on pilgrimage. This was the most important period in the life of Namdev. Practically from this time, the two great saints almost never separated till death parted them. The pilgrimage extended to all parts of India and almost all the holy places.
On the way, several miracles are reported to have been performed by both Namdev and Jnanadev. Once Namdev and Jnanadev reached the desert of Marwar. Namdev was dying of thirst. They found out a well, but the water was at such a low depth that it was impossible to get it by ordinary means. Jnanadev proposed to assume the form of a bird by his Laghima Siddhi and bring the water up in his beak. But Namdev proved superior to him. He prayed to Rukmini. The level of the water rose miraculously to the surface. The well is seen even today at Kaladji, ten miles off Bikaner.
Namdev and Jnanadev came to Naganathpuri. Namdev started Bhajan in the temple. There was a huge crowd. The temple priests were not able to enter the temple and so became angry. Namdev went to the western gate of the temple and spent the night in doing Kirtan. The image of the temple itself turned to his side.
A Brahmin of Bidar invited Namdev to do Bhajan in his house. Namdev went there with a large number of devotees. The Sultan mistook them for rebel troops and sent General Kasi Pant against them. The general reported to the Sultan that it was only a religious party. The Sultan ordered that Namdev should be arrested and prosecuted. He asked Namdev to rouse a butchered cow to life or embrace Islam. An elephant was sent to crush Namdev to death. Namdev’s mother requested her son to embrace Islam to save his life. But Namdev was prepared to die. Namdev raised the dead cow to life. The Sultan and others were struck with amazement. Namdev won the admiration of the Sultan and his party.
Namdev and Jnanadev met Narsi Mehta at Junagarh; Kabir, Kamal and Mudgalacharya at Kashi; Tulsidas at Chitrakut; Pipaji at Ayodhya; Nanak at a place in the Deccan and Dadu, Gorakhnath and Matsyendranath in other places.
When feeding of Brahmins was done by Namdev at the end of his pilgrimage, Vittal and Rukmini became the cooks and servers. They ate out of the very plate which Namdev used.
Namdev gained much, during the pilgrimage, from the society of Jnaneshwar and from Nivritti who was Jnaneshwar’s elder brother and Guru, and was able to look on this world with a wider vision as the manifestation of God.
As we saw earlier, Namdev’s world began and ended with the Deity ‘Vithoba’ of Pandharpur and he would not recognize any other Deity as the symbol of God. The pilgrimage lasted about five years and during this period Jnanadev advised Namdev to adopt a Guru so that he might be in a position to realise completely the manifestation of the all-pervading God and thus fulfil his own mission in life. Again Namdev hesitated as he thought that such action might alienate his loyalty and devotion to Vithoba. He plainly said that as long as he had the love of Vithoba, he had nothing to desire except constant devotion to Him. In fact, Vithoba was his Guru. It was, however, clear to Jnanadev and other saints in the company that Namdev’s view was rather narrow in the sense that he thought God was centred in the Deity of Vithoba of Pandharpur and they wanted him to acquire the wider vision which they themselves had attained.
One day, in such company, Gora, another saint and a potter by trade, was asked to ascertain which of them were half-baked, i.e., had not realised Brahman. Gora took a small, flat wooden board such as he used to prepare or test the pots and began to pat on the head of everybody. When he came to Namdev and patted on his head, Namdev cried aloud thinking he was hurt. Immediately, all the others in the company began to laugh saying that Namdev was only half-baked and had not become fixed in his spiritual position.
Adopting a Guru
Greatly mortified, Namdev repaired to Vithoba and complained to Him of his humiliation. He said that he saw no necessity for him to have a Guru as he had intimate relationship with Lord Krishna Himself. Lord Krishna said that Namdev did not really know Him. Namdev denied this. Lord Krishna challenged Namdev and asked him to find out His identity that day. Namdev agreed. Lord Krishna took the form of a Pathan horseman and passed before Namdev. Namdev could not recognize the Lord. Namdev agreed to go to a Guru. Lord Vithoba then advised him to adopt Visoba Khechar as his Guru.
Visoba Khechar was one of the disciples of Jnanadev and was living at the time at a village called Avandhya. Namdev proceeded to the village immediately and arrived there at about noon. He took shelter in a temple in order to take some rest. There in that temple he saw a man sleeping with his feet on the Deity Itself. Namdev was shocked, woke up the man and rebuked him for this sacrilege. The man was no other than Visoba himself. Visoba replied, "O Namdev, why did you wake me up? Is there a single spot in this world which is not permeated by God? If you think that such a spot can be found, kindly place my feet there". Namdev took the feet of Visoba in his hands and moved them to another direction, but the Deity was there. He then moved Visoba in still another direction, but the Deity was there too! Namdev could not find any direction or spot where he could place the feet of Visoba without treading on the Deity. God was everywhere. Having realised this great truth that God had permeated the whole universe, Namdev surrendered himself to Visoba gratefully and humbly. Visoba then advised Namdev at great length. A small portion of Visoba’s advice is given below.
"If you want to be absolutely happy, fill this world with Bhajan and the sacred Name of the Lord. The Lord is the world itself. Give up all ambitions or desires. Let them take care of themselves. Be content only with the name of Vittal.
You need not undergo any hardship or penance in order to go to heaven. Vaikuntha will come to you of itself. Do not be anxious of this life or of your friends or relatives. They are like the illusions of a mirage. One has to spend a short space of time here like the potter’s wheel which goes on rotating even after the potter has left. Make the best of it by keeping the name of Vittal ever in your mind and on your lips and by recognizing Him everywhere and in everyone. This is my experience of life.
"Pandharpur was established on the banks of the river Chandrabhaga as a sort of boat for people to cross safely this ocean of life. Pandharinath is standing there as the boatman-in-charge to take you to the other side; and the most important point is that He does this without asking for any fee. In this way He has saved crores of people who have gone to Him in surrender. If you surrender to Him, there is no death in this world."
After initiation by Visoba, Namdev became more philosophical and large-hearted. His temple was no longer the small narrow space on the banks of the Chandrabhaga, but the whole world. His God was not Vithoba or Vittal with hands and legs, but the omnipotent infinite Being.
A few days after Namdev had adopted Visoba as his Guru, he was sitting at a place doing his Bhajan. In the meantime, a dog came to the spot and ran away with the bread he had prepared for his midday meal. Namdev ran after the dog—not with a stick in his hand, but with a cup of Ghee; and he addressed the dog thus: "O Lord of the world! Why do You want to eat the dry bread? Take some Ghee along with it. It will taste much better". Namdev’s realisation of Atma was now complete and overflowing.
After Namdev had returned with Jnanadev from the long pilgrimage, the latter expressed his desire to take Samadhi at Alandi. Namdev therefore accompanied the party to Alandi as he could not part with Jnanadev. He was with Jnanadev to the last moment. He then accompanied the party until the other brothers, Nivritti and Sopan, and their sister Muktabai, left the world. Namdev has left behind a detailed account of the ends of these four saints in beautiful poems. Namdev was so shocked by these events which occurred within a short space of one year that he himself was left with no desire to live in this world. He took his Samadhi at Pandharpur at the age of twenty-six in 1295 A.D.
Namdev was not an author of any big treatise; but he left behind him a large number of Abhangas or short poems, full with the nectar of Bhakti and love towards God. These are exceedingly sweet. Most of these are lost, but there are extant about four thousand Abhangas, which to this day are a great source of inspiration to all who would read them. Some of the Abhangas are found in the Sikh Adi Granth.
The essence of Namdev’s message is: "Always recite the Name of the Lord. Constantly remember Him. Hear His glory. Meditate on the Lord in your heart. Serve the Lord with your hands. Place your head at His lotus feet. Do Kirtan. You will forget your hunger and thirst. The Lord will be near you. You will attain immortality and eternal bliss".
Namdev’s maid-servant Janabai
No account of the life of Namdev would be complete without a mention of Janabai. She was a maid-servant in the household of Namdev. Nothing is known of her life except that she was Namdev’s maid-servant. She herself forgot sometimes that she had an existence apart from being the maid-servant of Namdev. In several poems on devotion which she has left behind, she describes herself as ‘Nam’s maid-servant’ or ‘Namdev’s Jani’. She was one of the closest followers of Namdev and had no ambition other than to serve Namdev and sing the praises of the Lord Vithoba. For instance, in one of her poems she sings:
"Let me undergo as many births in this world as You please, but grant that my desires are fulfilled. They are that I see Pandharpur and serve Namdev in every birth. I do not mind if I am a bird or a swine, a dog or a cat, but my conditions are that in each of these lives, I must see Pandharpur and serve Namdev. This is the ambition of Namdev’s maid."
In another place, Janabai writes:
"Give me only this girl, O Hari, that I shall always sing Your sacred Name. Fulfil my only desire that You will accept my humble homage and service. This is all that I desire. Have mercy on me and fulfil my desires. I want to concentrate my eyes and mind on You and have Your Name on my lips. For this the maid Jani falls at Your feet."
That sums up the philosophy of Janabai and how she attained her desired goal. So intense and sincere was her devotion to Vithoba that the Lord Himself used to lighten her household duties, which, as she became old, she found unable to perform. By her service and devotion to God, she completely succeeded in effacing herself and she got completely merged in Him. A great soul—Janabai! And a greater Master—Namdev!
Please listen to some of my renditions of abhang:
Introduction
Namdev of Maharashtra was a saint of mediaeval India. He was not a servant of Lord Krishna, but His companion. Namdev was an Amsa (part) of Lord Krishna.
Namdev was a contemporary of Jnanadev, the famous saint of Maharashtra, being his senior in age by about five years. He was born in 1269 A.D. He came of a family of tailors who were sincere devotees of Vittala of Pandharpur. The family members were observing the Wari of Pandharpur, i.e., going on pilgrimage twice a year on the first eleventh day of the Ashadh (June-July) and Kartik (October-November) months. The family originated from a village called Narsibamani on the bank of the river Krishna, near Karad, in district Satara. Being a great devotee of Vittala and wishing to improve his material prospects, Dama Setti, the father of Namdev, had moved to Pandharpur a year or two before his son’s birth.
Namdev, from his very childhood; was like Prahlad. At the age of two, when he began to talk, the first correct word he uttered was ‘Vittala’, and since then, he continued with the repetition of that sacred name incessantly, without any help or instruction from others. He found great pleasure when every day his mother Guna Bai took him to the temple of Vithoba for offering worship to the Deity. His next step was, when at the age of about seven, he prepared a pair of cymbals and spent his time in dancing and singing, doing Bhajan, to the neglect of everything—food, studies in school, rest, sleep, etc. His devotion to Vithoba was so innocent and sincere that he used to treat Him sometimes as his dearest brother or as his playmate.
One day, as Namdev’s mother was busy, she asked Namdev to take the plate of offerings to Vithoba. Namdev went to the temple, placed the plate of eatables before Vithoba and asked Him to accept the offering. However, when Namdev did not find any evidence of acceptance by Vithoba, he cried so bitterly that Vithoba actually assumed a human form and accepted the offerings gratefully. Namdev’s mother was surprised when her son came back in great joy with an empty plate and explained to her that Vithoba had accepted the offerings by actually consuming the eatables presented in the plate. So, the next day, she herself accompanied Namdev (but withodevotee.
Lord Vithoba—his only interest
In other respects, however, Namdev was the despair of his parents, and later, of his wife and other relatives. From the beginning he had no interest in worldly affairs; he neglected studies in school; he would not take interest in his father’s profession as a tailor, or in any other trade. His sole interest was to spend day and night in devotion to Vithoba. His parents were getting old; the family prosperity was waning. Therefore, their dearest wish was that Namdev, while devoting a reasonable spare time to his devotions, should help in maintaining the family in comfort. So, Namdev was sent to the bazaar one day to sell a few pieces of clothes. But Namdev was innocent of the tricks of the trade. To him, such things as prices, and money and its value, were unknown subjects. He went to the bazaar with the clothes, because his father forced him. He sat there on a stone doing Bhajan, entirely forgetting that he had gone there to sell the clothes. After a few hours the sun set and it was time for him to go to the temple for the evening devotional performance. Then only he remembered that he had not sold the clothes and that he would get a thrashing from his father. He was impatient to go to the temple. He therefore sold all the clothes to the very stone on which he was seated, i.e., he kept the clothes on the stone, appointed another stone as a guarantee that the first one would pay the money the next day, and went to the temple.
Namdev’s father was furious on hearing his son’s adventures and asked him to bring forth Dhondya (which means a stone and which is also used as a proper name among certain classes of people of Maharashtra) who had guaranteed the money. The next day Namdev went back to the bazaar, found that the clothes had vanished during the night and took the second stone (Dhondya) home, as it refused to pay the money, and locked it in a room. He then went to the temple and narrated all the events to Vithoba and explained his difficulties also. When Namdev’s father asked him to show him Dhondya who had guaranteed the money, Namdev replied that Dhondya had been kept in a closed room in the house and ran to the temple. When the father opened the room to demand the money, he found, to his surprise, a lump of gold. Great was the father’s joy; but Namdev was quite indifferent to it. He only praised God for saving him from a thrashing. Thus it went on.
His marriage
In the meantime, Namdev married Radha Bai. Radha Bai was a worldly-minded woman. In response to Namdev’s invitation, Vittal attended the naming ceremony of Namdev’s child in the guise of a human being, named the child ‘Narayana’ and gave good gifts on the occasion.
There was extreme poverty in the house of Namdev. Namdev neglected his worldly duties. Namdev’s mother and wife abused Lord Krishna. Under the guise of Dharma Setti of Vaikunthapuram and the pretence of past friendship with Namdev, the Lord visited Namdev’s house, gave magnificent gifts to Radha Bai and disappeared.
A Bhakta, named Parisha Bhagavat, propitiated Rukmini and got the philosopher’s stone which could convert iron into gold. Parisha’s wife gave the stone to her friend Radha Bai one day. Radha Bai showed the stone to her husband and said that his Bhakti was of no use and was inferior to the Bhakti of Parisha Bhagavat. Namdev threw the stone into the river. Next day Parisha came to know of everything and took Namdev to task. Namdev showed Parisha the place where he had dropped the stone. Parisha searched for the stone and found, not a single stone, but a whole lot. Parisha was struck with wonder. He admired the spirit of renunciation and the spiritual powers of Namdev.
Namdev felt it increasingly difficult to take interest in household affairs and in his parents, wife and children; and no amount of persuasion from all those people or his friends was successful in bringing him back to the worldly life. To him there was only one interest and that was Lord Vithoba. He used to spend hour after hour sitting before Vithoba, talking to Him, discussing spiritual matters with Him and doing Bhajan. To Namdev, Vithoba was the beginning and the end of everything.
Meeting with Jnanadev.
When Namdev was about twenty years of age, he met the great saint Jnanadev at Pandharpur. Jnanadev was naturally attracted to Namdev as a great devotee of Vithoba. That he might benefit from the company of Namdev, he persuaded Namdev to go with him to all the holy places on pilgrimage. Namdev did not want to go, as that would mean separation from Lord Vithoba of Pandharpur. However, wiser counsel prevailed and Namdev was induced to go on pilgrimage. This was the most important period in the life of Namdev. Practically from this time, the two great saints almost never separated till death parted them. The pilgrimage extended to all parts of India and almost all the holy places.
On the way, several miracles are reported to have been performed by both Namdev and Jnanadev. Once Namdev and Jnanadev reached the desert of Marwar. Namdev was dying of thirst. They found out a well, but the water was at such a low depth that it was impossible to get it by ordinary means. Jnanadev proposed to assume the form of a bird by his Laghima Siddhi and bring the water up in his beak. But Namdev proved superior to him. He prayed to Rukmini. The level of the water rose miraculously to the surface. The well is seen even today at Kaladji, ten miles off Bikaner.
Namdev and Jnanadev came to Naganathpuri. Namdev started Bhajan in the temple. There was a huge crowd. The temple priests were not able to enter the temple and so became angry. Namdev went to the western gate of the temple and spent the night in doing Kirtan. The image of the temple itself turned to his side.
A Brahmin of Bidar invited Namdev to do Bhajan in his house. Namdev went there with a large number of devotees. The Sultan mistook them for rebel troops and sent General Kasi Pant against them. The general reported to the Sultan that it was only a religious party. The Sultan ordered that Namdev should be arrested and prosecuted. He asked Namdev to rouse a butchered cow to life or embrace Islam. An elephant was sent to crush Namdev to death. Namdev’s mother requested her son to embrace Islam to save his life. But Namdev was prepared to die. Namdev raised the dead cow to life. The Sultan and others were struck with amazement. Namdev won the admiration of the Sultan and his party.
Namdev and Jnanadev met Narsi Mehta at Junagarh; Kabir, Kamal and Mudgalacharya at Kashi; Tulsidas at Chitrakut; Pipaji at Ayodhya; Nanak at a place in the Deccan and Dadu, Gorakhnath and Matsyendranath in other places.
When feeding of Brahmins was done by Namdev at the end of his pilgrimage, Vittal and Rukmini became the cooks and servers. They ate out of the very plate which Namdev used.
Namdev gained much, during the pilgrimage, from the society of Jnaneshwar and from Nivritti who was Jnaneshwar’s elder brother and Guru, and was able to look on this world with a wider vision as the manifestation of God.
As we saw earlier, Namdev’s world began and ended with the Deity ‘Vithoba’ of Pandharpur and he would not recognize any other Deity as the symbol of God. The pilgrimage lasted about five years and during this period Jnanadev advised Namdev to adopt a Guru so that he might be in a position to realise completely the manifestation of the all-pervading God and thus fulfil his own mission in life. Again Namdev hesitated as he thought that such action might alienate his loyalty and devotion to Vithoba. He plainly said that as long as he had the love of Vithoba, he had nothing to desire except constant devotion to Him. In fact, Vithoba was his Guru. It was, however, clear to Jnanadev and other saints in the company that Namdev’s view was rather narrow in the sense that he thought God was centred in the Deity of Vithoba of Pandharpur and they wanted him to acquire the wider vision which they themselves had attained.
One day, in such company, Gora, another saint and a potter by trade, was asked to ascertain which of them were half-baked, i.e., had not realised Brahman. Gora took a small, flat wooden board such as he used to prepare or test the pots and began to pat on the head of everybody. When he came to Namdev and patted on his head, Namdev cried aloud thinking he was hurt. Immediately, all the others in the company began to laugh saying that Namdev was only half-baked and had not become fixed in his spiritual position.
Adopting a Guru
Greatly mortified, Namdev repaired to Vithoba and complained to Him of his humiliation. He said that he saw no necessity for him to have a Guru as he had intimate relationship with Lord Krishna Himself. Lord Krishna said that Namdev did not really know Him. Namdev denied this. Lord Krishna challenged Namdev and asked him to find out His identity that day. Namdev agreed. Lord Krishna took the form of a Pathan horseman and passed before Namdev. Namdev could not recognize the Lord. Namdev agreed to go to a Guru. Lord Vithoba then advised him to adopt Visoba Khechar as his Guru.
Visoba Khechar was one of the disciples of Jnanadev and was living at the time at a village called Avandhya. Namdev proceeded to the village immediately and arrived there at about noon. He took shelter in a temple in order to take some rest. There in that temple he saw a man sleeping with his feet on the Deity Itself. Namdev was shocked, woke up the man and rebuked him for this sacrilege. The man was no other than Visoba himself. Visoba replied, "O Namdev, why did you wake me up? Is there a single spot in this world which is not permeated by God? If you think that such a spot can be found, kindly place my feet there". Namdev took the feet of Visoba in his hands and moved them to another direction, but the Deity was there. He then moved Visoba in still another direction, but the Deity was there too! Namdev could not find any direction or spot where he could place the feet of Visoba without treading on the Deity. God was everywhere. Having realised this great truth that God had permeated the whole universe, Namdev surrendered himself to Visoba gratefully and humbly. Visoba then advised Namdev at great length. A small portion of Visoba’s advice is given below.
"If you want to be absolutely happy, fill this world with Bhajan and the sacred Name of the Lord. The Lord is the world itself. Give up all ambitions or desires. Let them take care of themselves. Be content only with the name of Vittal.
You need not undergo any hardship or penance in order to go to heaven. Vaikuntha will come to you of itself. Do not be anxious of this life or of your friends or relatives. They are like the illusions of a mirage. One has to spend a short space of time here like the potter’s wheel which goes on rotating even after the potter has left. Make the best of it by keeping the name of Vittal ever in your mind and on your lips and by recognizing Him everywhere and in everyone. This is my experience of life.
"Pandharpur was established on the banks of the river Chandrabhaga as a sort of boat for people to cross safely this ocean of life. Pandharinath is standing there as the boatman-in-charge to take you to the other side; and the most important point is that He does this without asking for any fee. In this way He has saved crores of people who have gone to Him in surrender. If you surrender to Him, there is no death in this world."
After initiation by Visoba, Namdev became more philosophical and large-hearted. His temple was no longer the small narrow space on the banks of the Chandrabhaga, but the whole world. His God was not Vithoba or Vittal with hands and legs, but the omnipotent infinite Being.
A few days after Namdev had adopted Visoba as his Guru, he was sitting at a place doing his Bhajan. In the meantime, a dog came to the spot and ran away with the bread he had prepared for his midday meal. Namdev ran after the dog—not with a stick in his hand, but with a cup of Ghee; and he addressed the dog thus: "O Lord of the world! Why do You want to eat the dry bread? Take some Ghee along with it. It will taste much better". Namdev’s realisation of Atma was now complete and overflowing.
After Namdev had returned with Jnanadev from the long pilgrimage, the latter expressed his desire to take Samadhi at Alandi. Namdev therefore accompanied the party to Alandi as he could not part with Jnanadev. He was with Jnanadev to the last moment. He then accompanied the party until the other brothers, Nivritti and Sopan, and their sister Muktabai, left the world. Namdev has left behind a detailed account of the ends of these four saints in beautiful poems. Namdev was so shocked by these events which occurred within a short space of one year that he himself was left with no desire to live in this world. He took his Samadhi at Pandharpur at the age of twenty-six in 1295 A.D.
Namdev was not an author of any big treatise; but he left behind him a large number of Abhangas or short poems, full with the nectar of Bhakti and love towards God. These are exceedingly sweet. Most of these are lost, but there are extant about four thousand Abhangas, which to this day are a great source of inspiration to all who would read them. Some of the Abhangas are found in the Sikh Adi Granth.
The essence of Namdev’s message is: "Always recite the Name of the Lord. Constantly remember Him. Hear His glory. Meditate on the Lord in your heart. Serve the Lord with your hands. Place your head at His lotus feet. Do Kirtan. You will forget your hunger and thirst. The Lord will be near you. You will attain immortality and eternal bliss".
Namdev’s maid-servant Janabai
No account of the life of Namdev would be complete without a mention of Janabai. She was a maid-servant in the household of Namdev. Nothing is known of her life except that she was Namdev’s maid-servant. She herself forgot sometimes that she had an existence apart from being the maid-servant of Namdev. In several poems on devotion which she has left behind, she describes herself as ‘Nam’s maid-servant’ or ‘Namdev’s Jani’. She was one of the closest followers of Namdev and had no ambition other than to serve Namdev and sing the praises of the Lord Vithoba. For instance, in one of her poems she sings:
"Let me undergo as many births in this world as You please, but grant that my desires are fulfilled. They are that I see Pandharpur and serve Namdev in every birth. I do not mind if I am a bird or a swine, a dog or a cat, but my conditions are that in each of these lives, I must see Pandharpur and serve Namdev. This is the ambition of Namdev’s maid."
In another place, Janabai writes:
"Give me only this girl, O Hari, that I shall always sing Your sacred Name. Fulfil my only desire that You will accept my humble homage and service. This is all that I desire. Have mercy on me and fulfil my desires. I want to concentrate my eyes and mind on You and have Your Name on my lips. For this the maid Jani falls at Your feet."
That sums up the philosophy of Janabai and how she attained her desired goal. So intense and sincere was her devotion to Vithoba that the Lord Himself used to lighten her household duties, which, as she became old, she found unable to perform. By her service and devotion to God, she completely succeeded in effacing herself and she got completely merged in Him. A great soul—Janabai! And a greater Master—Namdev!
Please listen to some of my renditions of abhang:
Monday, July 14, 2008
Friday, July 11, 2008
Biography of Sant Tukaram
Sant Tukaram (c.1608-c.1650), also Shri Tukaram, and colloquially referred to as "Tuka", was a seventeenth century Marathi poet Sant of India, related to the Bhakti movement of Maharashtra. Tukaram, was a devotee of Vitthal (a form of Lord Krishna), the supreme God in Vaishnavism. He is especially revered by the Varkari community. Tukaram is widely recognized as the climactic point of the Bhagawat tradition which began with Namdev.
Most of the information on the sants of Maharashtra comes from the biographies written by Mahipati in the 1700s, called Bhaktivijaya and Bhaktililamrit. Scholars assign various dates to Tukaram's birth; the most frequently assigned dates are 1568, 1577, 1608 and 1598 AD. There is lesser dispute that he died in 1650 AD. He was born in Dehu, very close to modern Pune city in Maharashtra. His father was a small trader or peddler and he was barely literate all his life. His family were successful grain sellers.
Tukaram lost his first wife, Rakhumabai, during a famine. Though it is alleged by some that she died of starvation, that is unlikely because Tukaram came from a wealthy landlord and money-lender family. His second wife was Jijabai (also called Avali). He had three sons, named Santu or Mahadev, Vithoba and Narayana. Narayana was considerably younger than Mahadev and Vithoba, and was a great bhakta like his father.
After his father died, Tukaram waived loans that poor owed to him. He is said to have destroyed the loan records. Tukaram followed a high spiritual standard in his kirtans (discourses mixed with spiritual poetry). Tukaram's spirituality was not mythical but grounded in the reality of day-to-day existence. It was focussed on the actual behaviour of a person and his inner mental peace. His teachings were simple and effective. He constantly emphasized that orthodox religion, like the study of the Vedas, was just a formality; the real expression of religion was love and affection in actual life. His teaching encompassed a wide array of issues and even highlighted the importance of nature and the ecosystem in our lives.
Tukaram wrote in a special verse form called the abhanga, a run on couplet with three and a half feet with the first three rhyming. In the use of this poetic device he was unrivalled, and others have practically left it alone after him in a tacit acknowledgment that nothing more can be done with it. As was the tradition, he also added his signature, Tuka Mhane or "Tuka Says", at the end of each verse.
Typical of the Varkari sampradaya, samaj seva (service to the community) and hari sankirtan (group worship through music) were the Way. Tukaram made it his call to work for a group enlightenment rather than just for himself.
Basic Tenets of His Message
The Mantra Gita, a translation of the Bhagavad Gita in the abhanga form is ascribed to Tukaram. It is an interpretation of the Gita from a Bhakti perspective. Another work ascribe to him is the Ghata, a collection of 4,500 abhangas.
· Make God the Center of your life. Walk the Path of Love. Serve mankind, and thus see God in all.
· Cast away your clothes of traditions that you have inherited, for often those can restrain you from growing in the Love of God.
· Tukaram did not favour elaborate rituals, displays of asceticism or preoccupation with austerities. He would say, "even dogs come in saffron colour and bears have matted fur. If living in caves is being spiritual then rats who inhabit caves must be doing sadhana (or, spiritual practice)."
· He was opposed to the acquiring of siddhis (or spiritual attainments) as these were obstructions to authentic sadhana.
· Faith in Nature was crucial to sadhana. He believed that He who facilitates the milk from the breast for the infant and the One who permits the bursting of foliage from the branches will certainly take care of me.
· Most important of all was the Privilege of being a Bhakta and to exercise in life, nama japa. He would say that even God does not know the value of His Name. Even God is not aware of the power of His Name. How can He be? The lotus cannot smell its own fragrance, only the bee can. The cow knows not the sweetness of its milk, only the calf can. The oyster knows not the value of its pearl, only the jeweler can.
Final days
There is disagreement about Tukaram's final day. Some say that he informed his wife early in the day about going to Vaikuntha (the Divine Abode). His wife laughed at him. He went up the hillock and waited for Vithoba. By that time, news had spread around Dehu and people had gathered around the hillock, waiting for the Divine event. From eyewitness accounts, a large vehicle emerged from the skies and Vithoba emerged from the flying plane. Eyewitnesses rushed to Tukaram's home and informed his wife that Tukaram was on his way to Vaikuntha, the Abode of God. His wife ran toward the hills, only to see him take off in the Viman (Flying plane). To this day, devotees gather at the hillock and sing his praises. However, Starr forwards the opinion that he was probably murdered because of his successful reformist activity that had rocked the establishment and by getting rid of his body, they were able to spread the rumour that he had gone to heaven in a heavenly chariot
Please listen to some of my Tukaram abhangs.
Most of the information on the sants of Maharashtra comes from the biographies written by Mahipati in the 1700s, called Bhaktivijaya and Bhaktililamrit. Scholars assign various dates to Tukaram's birth; the most frequently assigned dates are 1568, 1577, 1608 and 1598 AD. There is lesser dispute that he died in 1650 AD. He was born in Dehu, very close to modern Pune city in Maharashtra. His father was a small trader or peddler and he was barely literate all his life. His family were successful grain sellers.
Tukaram lost his first wife, Rakhumabai, during a famine. Though it is alleged by some that she died of starvation, that is unlikely because Tukaram came from a wealthy landlord and money-lender family. His second wife was Jijabai (also called Avali). He had three sons, named Santu or Mahadev, Vithoba and Narayana. Narayana was considerably younger than Mahadev and Vithoba, and was a great bhakta like his father.
After his father died, Tukaram waived loans that poor owed to him. He is said to have destroyed the loan records. Tukaram followed a high spiritual standard in his kirtans (discourses mixed with spiritual poetry). Tukaram's spirituality was not mythical but grounded in the reality of day-to-day existence. It was focussed on the actual behaviour of a person and his inner mental peace. His teachings were simple and effective. He constantly emphasized that orthodox religion, like the study of the Vedas, was just a formality; the real expression of religion was love and affection in actual life. His teaching encompassed a wide array of issues and even highlighted the importance of nature and the ecosystem in our lives.
Tukaram wrote in a special verse form called the abhanga, a run on couplet with three and a half feet with the first three rhyming. In the use of this poetic device he was unrivalled, and others have practically left it alone after him in a tacit acknowledgment that nothing more can be done with it. As was the tradition, he also added his signature, Tuka Mhane or "Tuka Says", at the end of each verse.
Typical of the Varkari sampradaya, samaj seva (service to the community) and hari sankirtan (group worship through music) were the Way. Tukaram made it his call to work for a group enlightenment rather than just for himself.
Basic Tenets of His Message
The Mantra Gita, a translation of the Bhagavad Gita in the abhanga form is ascribed to Tukaram. It is an interpretation of the Gita from a Bhakti perspective. Another work ascribe to him is the Ghata, a collection of 4,500 abhangas.
· Make God the Center of your life. Walk the Path of Love. Serve mankind, and thus see God in all.
· Cast away your clothes of traditions that you have inherited, for often those can restrain you from growing in the Love of God.
· Tukaram did not favour elaborate rituals, displays of asceticism or preoccupation with austerities. He would say, "even dogs come in saffron colour and bears have matted fur. If living in caves is being spiritual then rats who inhabit caves must be doing sadhana (or, spiritual practice)."
· He was opposed to the acquiring of siddhis (or spiritual attainments) as these were obstructions to authentic sadhana.
· Faith in Nature was crucial to sadhana. He believed that He who facilitates the milk from the breast for the infant and the One who permits the bursting of foliage from the branches will certainly take care of me.
· Most important of all was the Privilege of being a Bhakta and to exercise in life, nama japa. He would say that even God does not know the value of His Name. Even God is not aware of the power of His Name. How can He be? The lotus cannot smell its own fragrance, only the bee can. The cow knows not the sweetness of its milk, only the calf can. The oyster knows not the value of its pearl, only the jeweler can.
Final days
There is disagreement about Tukaram's final day. Some say that he informed his wife early in the day about going to Vaikuntha (the Divine Abode). His wife laughed at him. He went up the hillock and waited for Vithoba. By that time, news had spread around Dehu and people had gathered around the hillock, waiting for the Divine event. From eyewitness accounts, a large vehicle emerged from the skies and Vithoba emerged from the flying plane. Eyewitnesses rushed to Tukaram's home and informed his wife that Tukaram was on his way to Vaikuntha, the Abode of God. His wife ran toward the hills, only to see him take off in the Viman (Flying plane). To this day, devotees gather at the hillock and sing his praises. However, Starr forwards the opinion that he was probably murdered because of his successful reformist activity that had rocked the establishment and by getting rid of his body, they were able to spread the rumour that he had gone to heaven in a heavenly chariot
Please listen to some of my Tukaram abhangs.
Friday, May 30, 2008
Sadasive Brahmendra
On the river banks of the Cauvery in Mahadanapuram in Tiruchy District he was seen by a few kids. They requested him to take them to the religious fairs in Madurai, that time being the solar month of Leo when the Madurai temple has usually an annual festival. The sage perhaps felt an overflow of compassion for them. He asked them to close their eyes and in no time they were in Madurai (more than 100 miles away); they had their darsan of the Lord and the Goddess there, they feasted at the festivities and in due time before it was night they were back in Mahadanapuram on the same banks of the Cauvery. The parents of the children would not believe the stories but their graphic description of the Madurai festivities right to the last detail baffled them. They ran to the Cauvery banks to look for the sage but he was not there.
On the river bed of Kodumudi river Sadasiva Brahmendra was sitting in trance on the sands. Suddenly water flowed down the river in a flood and the river was flooded for the next few months. Spectators saw water submerge him as he was still sitting in his trance. He was given up as drowned. But three months later when the floods subsided he was still there in the same trance posture; he just rose up and walked away.
It was harvest season. He was seen ‘carelessly’ crossing the haystacks which have been piled up on the paddyfield. The warnings given to him to avoid the haystacks went unheeded. One of the men around raised his hatchet to hit him. But lo! the raised hand stayed right there. The sage was walking along as if nothing had happened. The rest of the spectators ran to him and pleaded that he save the man who had raised his hand to hit him. The sage looked back and the hand came down. The sage walked away.
Long after all these happened when almost people had forgotten the memories of his wandering in their lands, once the naked sannyasi was seen walking right through a muslim harem of a Nawab. As a brahma-jnani who sees nothing but brahman everywhere, he would not distinguish between the different human figures which cross his path nor would he be distracted by the sights or noises that his environment may present to him. It was in this state of trance that he was walking along. He, the naked sannyasi, walked straight into the harem, entering it at one end and walking out at the other all the while walking through a maze of inmates of the Nawab’s harem. The news reached the nawab, he had his men chase him, they cut off both his hands as he was walking along, the hands fell off and … still he was walking along silently as if nothing had happened. The nawab got scared, picked up the hands that had been severed, ran to the Sage and offered them in total remorse. The sage stopped his walking, the severed hands were restored to their place, the hands became normal and the sage walked away! There was no conversation.
It was Venkatesa AyyavaL, his classmate of old times, that broke his silence, maybe once or twice. During his discipleship days Sadasiva used to sing bhajans in a sweet voice. AyyavaL reminded him of those good old days and implored him to sing again for the benefit of the people who would certainly enjoy listening to his songs. Then came some wonderful songs, all of them having the theme of ‘The Experience of the Bliss of remaining in the Absolute brahman’ – brahmA-nubhavaM, brahma-saMsparzaM, brAhmI-sthiti as it is variously called in the Gita and elsewhere. Sadasiva-brahmendra’s songs are so delightfully full of this blissful divine experience that they are even now constantly rendered by musicians in concerts and public gatherings for a spiritual purpose; and when they are so rendered, no one will miss the elevating moods that they generate - even in those who do not understand the language, Sanskrit, in which it has been composed by the saint. His songs :
mAnasa samcara re , brahmaNi mAnasac samcara re … (Hey mind, dwell on brahman … )
sarvam brahma-mayam, re re sarvam brahma-mayam … (Everything is brahman to the brim… )
khelati mama hRdaye rAmaH … (Rama is sporting in my mind … )
piba re rAma-rasam … (Drink the nectar of rAma, hey …. )
brUhi mukundeti … (Recite mukunda, speak of Him … )
cintA nAsti kila … (they have no worries, …. )
are all very famous and each one of them is a capsule of the bliss of brahman that Sadasiva had enough to spare for others.
On the river bed of Kodumudi river Sadasiva Brahmendra was sitting in trance on the sands. Suddenly water flowed down the river in a flood and the river was flooded for the next few months. Spectators saw water submerge him as he was still sitting in his trance. He was given up as drowned. But three months later when the floods subsided he was still there in the same trance posture; he just rose up and walked away.
It was harvest season. He was seen ‘carelessly’ crossing the haystacks which have been piled up on the paddyfield. The warnings given to him to avoid the haystacks went unheeded. One of the men around raised his hatchet to hit him. But lo! the raised hand stayed right there. The sage was walking along as if nothing had happened. The rest of the spectators ran to him and pleaded that he save the man who had raised his hand to hit him. The sage looked back and the hand came down. The sage walked away.
Long after all these happened when almost people had forgotten the memories of his wandering in their lands, once the naked sannyasi was seen walking right through a muslim harem of a Nawab. As a brahma-jnani who sees nothing but brahman everywhere, he would not distinguish between the different human figures which cross his path nor would he be distracted by the sights or noises that his environment may present to him. It was in this state of trance that he was walking along. He, the naked sannyasi, walked straight into the harem, entering it at one end and walking out at the other all the while walking through a maze of inmates of the Nawab’s harem. The news reached the nawab, he had his men chase him, they cut off both his hands as he was walking along, the hands fell off and … still he was walking along silently as if nothing had happened. The nawab got scared, picked up the hands that had been severed, ran to the Sage and offered them in total remorse. The sage stopped his walking, the severed hands were restored to their place, the hands became normal and the sage walked away! There was no conversation.
It was Venkatesa AyyavaL, his classmate of old times, that broke his silence, maybe once or twice. During his discipleship days Sadasiva used to sing bhajans in a sweet voice. AyyavaL reminded him of those good old days and implored him to sing again for the benefit of the people who would certainly enjoy listening to his songs. Then came some wonderful songs, all of them having the theme of ‘The Experience of the Bliss of remaining in the Absolute brahman’ – brahmA-nubhavaM, brahma-saMsparzaM, brAhmI-sthiti as it is variously called in the Gita and elsewhere. Sadasiva-brahmendra’s songs are so delightfully full of this blissful divine experience that they are even now constantly rendered by musicians in concerts and public gatherings for a spiritual purpose; and when they are so rendered, no one will miss the elevating moods that they generate - even in those who do not understand the language, Sanskrit, in which it has been composed by the saint. His songs :
mAnasa samcara re , brahmaNi mAnasac samcara re … (Hey mind, dwell on brahman … )
sarvam brahma-mayam, re re sarvam brahma-mayam … (Everything is brahman to the brim… )
khelati mama hRdaye rAmaH … (Rama is sporting in my mind … )
piba re rAma-rasam … (Drink the nectar of rAma, hey …. )
brUhi mukundeti … (Recite mukunda, speak of Him … )
cintA nAsti kila … (they have no worries, …. )
are all very famous and each one of them is a capsule of the bliss of brahman that Sadasiva had enough to spare for others.
Tuesday, May 20, 2008
Sadasiva Brahmendra (contd...)
Meaning of some of the verses
Fully engrossed in the enjoyment of his own bliss, he remains in another world as it were; and as strikes his fancy, here he is engaged in thought, there he is singing and there he is dancing. Verse No.21
The sage shines supreme, silent and placid, with the ground under the tree as his resting place and with his palm as the begging bowl, wearing no clothes but only the jewel of non-attachment Verse No.35
Having dissolved the entire world (by right knowledge) and being under the power of the all-embracing substratum that survives such dissolution, he puts into his mouth by force of prArabdha-karma, the handful of food which comes to him Verse No.40
The yogi sees nothing, speaks nothing and hears nothing that is spoken. He remains steadfast in the incomparable region of bliss, immovable like a log of wood. Verse No.44
The great renouncer who knows the Truth of all the vedas wanders like an ignorant fool un-noticed, devoid of all sense of difference and seeing only Perfection everywhere and in all creatures. Verse No. 45
Embracing the Lady Equanimity and having been overpowered by Bliss he sleeps with his head for a pillow, with nothing for cover and with the bare ground for a bedding. Verse No.46
The sage rejects nothing considering it bad; nor does he accept anything, considering it good. Knowing that everything is the result of Ignorance, he remains unattached. Verse No.50
He does not think at all of what is past, nor does he care in his mind about the future. He does not even care who is in front of him, for He is the One Perfect Bliss in everything. Verse No.51
The king of renouncers rests alone, rooted in Self and enjoying the Inner Bliss; he rejects nothing that comes to him and never desires what does not come to him. Verse No.53
The great ascetic transcends the rules of caste and status shaking off from him the injunctions and prohibitions of the scriptures and he remains merely the perfect Knowledge-Bliss. Verse No.57
Please listen to some of my Sadasiva Brahmendra renditions.
Fully engrossed in the enjoyment of his own bliss, he remains in another world as it were; and as strikes his fancy, here he is engaged in thought, there he is singing and there he is dancing. Verse No.21
The sage shines supreme, silent and placid, with the ground under the tree as his resting place and with his palm as the begging bowl, wearing no clothes but only the jewel of non-attachment Verse No.35
Having dissolved the entire world (by right knowledge) and being under the power of the all-embracing substratum that survives such dissolution, he puts into his mouth by force of prArabdha-karma, the handful of food which comes to him Verse No.40
The yogi sees nothing, speaks nothing and hears nothing that is spoken. He remains steadfast in the incomparable region of bliss, immovable like a log of wood. Verse No.44
The great renouncer who knows the Truth of all the vedas wanders like an ignorant fool un-noticed, devoid of all sense of difference and seeing only Perfection everywhere and in all creatures. Verse No. 45
Embracing the Lady Equanimity and having been overpowered by Bliss he sleeps with his head for a pillow, with nothing for cover and with the bare ground for a bedding. Verse No.46
The sage rejects nothing considering it bad; nor does he accept anything, considering it good. Knowing that everything is the result of Ignorance, he remains unattached. Verse No.50
He does not think at all of what is past, nor does he care in his mind about the future. He does not even care who is in front of him, for He is the One Perfect Bliss in everything. Verse No.51
The king of renouncers rests alone, rooted in Self and enjoying the Inner Bliss; he rejects nothing that comes to him and never desires what does not come to him. Verse No.53
The great ascetic transcends the rules of caste and status shaking off from him the injunctions and prohibitions of the scriptures and he remains merely the perfect Knowledge-Bliss. Verse No.57
Please listen to some of my Sadasiva Brahmendra renditions.
Friday, May 9, 2008
Sadasiva Brahmendra
Growing up in a village on the banks of the Cauvery in Tamilnadu, Sadasiva was a most gifted student, much given to arguing and debating. After an early marriage and a spark of revelation on the day of his wife’s reaching puberty he renounced the world and performed a strenuous sAdhanA for eighteen years. One day he was taunted by his guru for his talkativeness. On that day he took a vow of silence and he kept it up for the rest of his life which he spent as a wandering naked (avadhUta) sannyasi. The songs he composed during the period of his discipleship are still very popular. In his wanderings, of which we have no complete record, he is said to have performed many miracles which were just an overflowing of the compassion he had for all humanity. He was one of the greatest of siddhas. His mind was always immersed in the Absolute brahman. His name is part of the folk-lore in all of South India. His major work is brahma-sUtra-vRtti, which is a scholarly but lucid commentary on the brahma-sUtras. He has thirteen other works to his credit - such as, yoga-sUtra-vRtti, also called yoga-sudhAkaram; jagad-guru-ratna-mAlotsava, a history of Kanchi Kamakoti mutt in 87 verses; advaita rasa-manjari in 45 verses; and others. His Atma-vidyA-vilAsam is a composition in 62 verses together forming a spiritual autobiography. The verses describe how a knower of brahman would behave and as far as the folklore and all the stories about Sadasiva-brahmendra go, the description fits him most suitably. He may be rightly called the Saintly Perfection of the Impersonal absolute.
Listen to some of Saint's composition:
Listen to some of Saint's composition:
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